The Dreamtime of American life has been mapped out with loving delicacy and accuracy by Randy Newman during his career. His circus of characters, his small-ads style absurdities, his prompt wit have created an alternative vista of the United States.
Having written his own obituary on his latest album, RANDY NEWMAN rises from the grave to discuss love, age, irony, honesty, the importance of melody and the tightrope act of being an idealist in pessimist's clothing. JOE JACKSON helps roll away the stone.
Following a seemingly endless bout of movie soundtrack projects, Newman's first album proper in almost a decade has been hailed (most notably by Newman himself) as his best yet. Whether that's true or not is debatable, but Bad Love, produced by Mitchell Froom (Crowded House, Suzanne Vega, Ron Sexsmith etc.) is certainly up there with past glories such as Good Old Boys, Sail Away and Little Criminals.
If you’re Randy Newman you’ll also need a piano, some borrowed dominants and lashings of irony. And that’s just for starters. Joe Jackson hears about the private, public and musical lives of one of American music’s most singular talents.
Dog-Eared Memories, despite the claim that this is a new, stripped down Dara sound, is full of big ideas in both music and words. The influence of Coldplay and U2 is undeniable, but tempered by an intimate writing style that recalls Ben Folds or Randy Newman, especially given the choice of piano as lead instrument.
IT TAKES a heck of a thick neck to blithely ignore all that's happened musically over the last five years. Either that or a cast-iron identity that surpasses fleeting trends and passing fads. Randy Newman has always managed to pull it off with panache.
The story of how Paul Brady was transformed from a superlative folk artist into a superlative rock artist in a blinding flash of light (well, fifteen years actually). Today's reading is by Niall Stokes.
Take Ani DiFranco, add a dash of Eminem, three spoonfuls of Doris Day sweetener, a little Randy Newman and – heck, why not? – an orchestra or five, and I’ve still barely opened the door onto the ineffably strange world that is Nellie McKay’s debut.
I Never Thought This Day Would Come is a confident, big-hearted and ebullient record, which sees Peter Wilson tell his truths from behind the mask of Duke Special.
Until recently, Scottish jazz/folk legend john martyn was almost as renowned for his hard-living consumption of booze as he was for his marvellous records. But, he tells colm o hare, these days he s on the wagon, and operating on full horsepower for the first time in years.
He's gone from bashing out Brel covers in pokey Dublin clubs to crooning 'New York, New York' while gazing at the Manhattan skyline.For his latest project, the wonderful story so far. Jack L has pushed the boundaries yet again by collaborating with up and coming Irish Novelist Anna McPartlin. Here they talk to Hot Press about their intriguing hook-up and explain how your career can lead you to some very strange places...
Known in Irish music circles as one of the finest producers and accompanists in the business, multi-instrumentalist Garry O Briain has played on over 100 albums, but tends to shun the spotlight himself.
He may be unhappy about once again being forced to climb the interview treadmill, but Eels frontman E soon relaxes sufficiently to discuss swimming with sharks in the American music industry and why turning into Beck isn’t on the agenda just yet
Africa has now moved to the musical position occupied by Jamaica a few years back and great records by folk such as youssou’n Dour and Mahlathini helped to leaven the absence of reggae music.
In a rare interview, US alt culture icon Tom Waits talks to Dave Fanning about touring with Zappa, getting the nod of approval from Dylan, his fastidious approach to songwriting and why Bill Hicks remains America’s foremost political commentator
Almost unheralded, in "Raintown" Scotland's Deacon Blue have made one of the year's outstanding albums. Despite extensive critical kudos, however, the first two singles from the album - "Dignity" and "Loaded" - failed to make any inroads into the charts. A third single, the excellent "When Will You (Make My Telephone Ring)" looks as if it might enable Deacon Blue to prise open the door. Nevertheless the band must be perturbed at their relative lack of success to date.
After the commercial disaster that was La Passione (both the film and Rea's over-indulgent soundtrack) and last year's less than spectacular revisit to the Road To Hell (Part Two) the Middelsboro' bottle blonde returns to yet another familiar theme.
On the surface 1988 was a promising year for Irish music with memorable vinyl provided by The Stars Of Heaven, Something Happens!, A House, Cypress Mine! and the sadly defunct Microdisney – but beneath that veneer, all is not as well as it might seem.
Joe Jackson sneaks a peek at Wayne Studer’s new book Rock On The Wild Side, which gender-bends its way through three decades of gay imagery in rock music from Jimi Hendrix’ first kiss to George Michael’s shuttlecock.
Been there, seen that, doin' it tomorrow. Is there no stopping Shay Healy? The most popular songsmith in Europe — and, er, Turkey — has just published a new novel Green Card Blues. Night hawk: SIOBHÁN LONG.
A potent collection that allows Coughlan's seeringly honest voice to straddle the hinterlands of jazz, blues and rock like few other Irish artist would dare
Dropped by Warners, but buoyed up by mega-sales of a soundtrack hit, Nick Lowe is back with a great new album, The Impossible Bird, and lots to say about Johnny Cash, Elvis Costello and a benevolent devil with the feet of a chicken. Interview: Joe Jackson.
He may indeed be from Limerick but if you think you’re going to get a subheadline that mentions bringing home the bacon, acting the ham or even being on the pig’s back, then you’re sadly mistaken. Instead we’re going to keep things simple. Mick Hanly has just released a new album entitled Happy Like This. What better occasion for Jackie Hayden to visit him in his Kilkenny home and look back over his career to date, and to remember the days when he hadn’t a sausage (would you cut the crap, please? – Ed)? Pix.: Brendan Fitzpatrick.
Mark McClelland was a feature and music writer for Cork's Evening Echo for four years. Here, he presents his top ten most significant musical acts to emerge from Cork.
It's getting deafeningly obvious that "Country" is rapidly becoming a meaningless term as kd lang turns into a cosmopolitan chanteuse and now Lyle Lovett strays further from cartoon redneck roots.
One of Ireland’s premier singer/songwriters whose work has been covered by Christy Moore and the Corrs, Jimmy MacCarthy’s latest album The Moment illustrates a lighter side to his character. Below Jimmy gives us the inside track on the songs, the singers and the craft of writing
An influential and respected figure in evolutionary terms, though never stratospherically successful, the good Doctor (still) specialises in a heady, ebullient, high-spirited brew of jazz, soul and piano-based Southern boogie-woogie.
It's head-scratching, nail-biting, on-the-tip-of-your-tongue time again, as GEORGE BYRNE presides over our renowned annual music quiz [this is for the year 2000]
Making her solo debut, Andrea Corr has set about re-casting herself as a vampish singer with a taste for dark beats and sultry wordplay. In a forthright interview, she talks about her unexpected re-invention.
A new album, a new producer, a new sound and a new lease of life so where better to launch mary black s Shine than in New Orleans? Report and
interview: siobhAN LONG
A new album, a new producer, a new sound and a new lease of life so where better to launch mary black s Shine than in New Orleans? Report and
interview: siobhAN LONG
He began working in music as a drummer, but Dave Pennefather's greatest success has been as MD of Universal Music. Hot Press looks back over the life and times of a man with a larger than life reputation.
Elvis was first sighted in a 7-Eleven in central London, sneering at the staff while purchasing cigarettes and condoms, looking for all the world like the new king of rock'n'roll, shabbily dressed and sharp-tongued, a man with a mission. It seems such a long time ago, now.
Think you've got them all right? Or maybe you fancy a sneaky peak (you're only cheating yourself you know!). Either way, you've got the questions – we've got the answers....
The Irish were out in force at MIDEM, the annual music industry bash held in Cannes, in the south of France last week. With Irish music’s international stock running high and the Minister for Arts, Culture and the Gaeltacht Michael D. Higgins on hand to lend his support, it proved to be a very interesting year. Report: Niall Stokes.
It may not seem as glamorous as appearing on Top of the Pops but it can be a hell of a lot more lucrative. That’s right, publishing is one of the most widely misunderstood and underestimated aspects of the music industry. The message for Irish songwriters: get weaving! There’s classics that need writing . . .
